When people find out I’m a member of the Richard IIIrd Society I am inevitably asked whether I thought he did “it”. In other words, did the hunchbacked monster sneak up the stairs of the tower one night and smother two innocent babes.
Before responding to that question, I’d like to muse on the question itself.
Here in Australia, the fact that that is the first, and usually only, question says some interesting things. Firstly, it suggests that most Australians’ mental picture of Richard IIIrd is dominated, or completely informed, by the stock parody figure. Like a number of comedia dell arte stock characters, the character of Evil Royal Uncle is one that can be easily be adapted for all sorts of purposes. An artist need only dress a figure in black renaissance costume, give him a hunch, and suddenly you have an archetype of Evil. It’s roughly the same as an archetypal Witch, with warts and pointy nose and hat—a set of quick identifying characteristics that remove the need to explain much about the character. This is good, basic theatrical technique, and we’ve been doing it for millenia.
Slightly more informed visions of Richard come from people who know the Shakespearean play, often recalled from dreary school days. I won’t knock the play—it’s wonderful, and the Richard character is one of Shakespeare’s best villians. The play is, of course, the primary source for the quick parodic sketch figure, even though the character in the play is a fully developed one. For one reason or another a handful of Shakespeare’s characters have escaped his plays to live independent lives as basic stock figures: Richard, Lady Macbeth, Oberon and Titania, Romeo and Juliet, and to a lesser extent Falstaff. Nothing wrong with that, it’s a testament to the strength of the original writing.
The big problem is that folk who know the play often make the mistake of thinking that it bears any meaningful relationship to history. Few people recognise that trying to understand the players in the Wars of the Roses period in England via Shakespeare’s plays is like trying to understand Edward II by watching Braveheart. Entertainment, yes. History, no.
Returning to The Question, I’ll begin by saying that it’s a question on the order of “how long is a piece of string”. The question isn’t framed in a meaningful way, because the enquirer doesn’t have the context. So the trite response must be: “Did Evil Uncle Dickon sneak up the stairs with pillows under his arm? Almost definitely not.”
The trouble is that it’s the wrong question. A set of better questions would be “Were Richard’s nephews killed? Did he have a hand in it? If so, why? Why did the boys wind up in the Tower anyway? Why did Richard grab the crown?”. Much better questions. Much more open ended, and the answers are more interesting. I’m not going to give them to you either: you’ll need to come and talk to the society!
Oh, alright: maybe, probably not, see previous, good question, even better question.