Secret Geometries of the Sword In the early years of the 17th century, Girard Thibault — poet, physician, architect, painter, occultist, and master swordsman, a true Renaissance man — astonished the courts of Europe with a new system of swordsmanship based on the principles of sacred geometry and Renaissance occult philosophy. In his youth, Thibault studied the art of the sword with the great Dutch fencing master Lambert van Someren, then traveled to southern Spain to learn _destreza_, the revolutionary Spanish system of rapier fencing, from Luis Pacheco de Narvaez and other masters of the art. After his return to the Netherlands around 1610, he won fame as one of the best swordsmen of the age, and set out to put everything he knew about the way of the sword into a single comprehensive textbook of rapier fencing that could be used by students who had no access to a teacher of his system. Originally published in 1630, _Academy of the Sword_ is that textbook — the most elaborate manual of swordsmanship ever published in any language, packed with hundreds of clearly described and illustrated techniques. Starting with the geometrical foundations of his system, Thibault proceeds step by step to explain effective methods for drawing the sword, entering into measure, subjecting the opponent's blade, countering his attacks and defeating him, whether the contest is a friendly bout or a struggle to the death. He outlines competing systems of swordsmanship used in the Europe of his time, points out their weaknesses and explains how their proponents can be defeated, and he provides methods by which his pupils, armed only with a rapier, could overcome an opponent armed with rapier and dagger, rapier and shield, two-handed sword — even a musket. Never before available in English, _Academy of the Sword_ has been trans

The fourth and final volume of The Saga of Pliocene Exile.

Until the arrival of Aiken Drum, the 100,000 humans who had fled backward in time to Pliocene exile on Earth knew little but slavery to the Tanu — the humanoid aliens who came from another galaxy. But King Aiken's rule is precarious, for the Tanu's twisted bretheren are secretly maneuvering to bring about his downfall. Worse — Aiken is about to confront a man of incredibly powerful Talents who nearly overthrew a galactic rule. He is Marc Remillard. Call him . . . The Adversary.

Although Colin Laney (from Gibson's earlier novel Idoru) lives in a cardboard box, he has the power to change the world. Thanks to an experimental drug that he received during his youth, Colin can see "nodal points" in the vast streams of data that make up the worldwide computer network. Nodal points are rare but significant events in history that forever change society, even though they might not be recognizable as such when they occur. Colin isn't quite sure what's going to happen when society reaches this latest nodal point, but he knows it's going to be big. And he knows it's going to occur on the Bay Bridge in San Francisco, which has been home to a sort of SoHo-esque shantytown since an earthquake rendered it structurally unsound to carry traffic.

Colin sends Barry Rydell (last seen in Gibson's novel Virtual Light) to the bridge to find a mysterious killer who reveals himself only by his lack of presence on the Net. Barry is also entrusted with a strange package that seems to be the home of Rei Toi, the computer-generated "idol singer" who once tried to "marry" a human rock star (she's also from Idoru). Barry and Rei Toi are eventually joined by Barry's old girlfriend Chevette (from Virtual Light) and a young boy named Silencio who has an unnatural fascination with watches. Together this motley assortment of characters holds the key to stopping billionaire Cody Harwood from doing whatever it is that will make sure he still holds the reigns of power after the nodal point takes place.

Although All Tomorrow's Partiesincludes characters from two of Gibson's earlier novels, it's not a direct sequel to either. It's a stand-alone book that is possibly Gibson's best solo work since Neuromancer. In the past, Gibson has let his brilliant prose overwhelm what were often lackluster (or nonexistent) story lines, but this book has it all: a good story, electric writing, and a group of likable and believable characters who are out to save the world ... kind of. The ending is not quite as supercharged as the rest of the novel and so comes off a bit flat, but overall this is definitely a winner. —Craig E. Engler

Is Discworld ready for educated rats?

Set in the Discworld, a brand new and marvellously eccentric fantasy tale for young readers.

Maurice, an amazing cat, who has survived four years on the toughest streets in the whole of the Discworld, reckons that rats are dumb. Clever, OK, but dumb. Maurice, however, is smart – smart enough to recognize that there’s a new kind of rat around; rats that have been eating wizards’ rubbish and can now talk. And Maurice is also smart enough to get a pretty amazing idea when he spots a kid playing the flute. Now he has his very own Pied Piper to go with his “plague of rats”. And Maurice’s money-bags are getting fuller and fuller. That is, until the group reaches the far flung village of Bad Blintz.